Saturday, June 2, 2012

2 : A FREE WILL TO GET A POINT OF OWN VIEW 666 BY ONE YOUNG JAPANESE MAN










_A comment by One reader of Ise-Hakusan Dou blog who commented to Re-man 伊勢−白山道 as the owner of its blog. *_I have an permission to do translate into English. I do my best to do for a part of all_*

By Mantara_a comment as a next

 There was in Japanese young man`s comment in 1 as my translation;a point of Crowley and Shiva. 

 Here is Shiva for our interesting. What Shiva dose.    Tandava. Its sounds something I knew in my past. 
 Oh, seems a picture "dancing" is just  a dancing by somebody  at sometimes at somewhere even at today.... on the street too. Cosmic  Dancer  Shiva. All of us can be.

 A real meaning of Dancing for me is the  ceremony of offering THANKS to unseen world , the praising for Natural world in an ancient Japan. That is what I feel. 
It is the Natural energy as tremors transformation for a mankind , life and Kami as unseen energies. 
In case, an ancient mankind had a (phone) calling by dancing to Higher spirits make bless a mankind. 
At same time, a dancing is the ceremonial energy interaction with the Nature as energy current. I just feel it so. My knowledge? , less than feeling. So you do not need believe me, not at all. Believe what you feel.

 Shiva must know how sexual energy be transformed into a brain to be come the energy food for human brains, it will be not wasted energy just by doing sex often. It can be into the deep conversation so,It may be too much for me for now.
I let you know when I got a right information about sex because It must care about age and gender to be written.
However,
 Its Tandava must be a wisdom of a body energy flow and practical how connect into soulfully the spiritual level also. 
It might been a science of energy current. 

 A truth : I am nothing to know widely about Shiva ( I only know Shiva is also Japanese Kami Susanou so,anyway so freely I spoke out. Just express what I feel is good for my mind so. OK, then now let take look the encyclopedia. 

Tandava

From Wikipedia, the free encyclopedia

Nataraja, Lord Shiva as the Cosmic Dancer representing the rhythmic movement of the entire cosmos.
Tāṇḍava or Tāṇḍava nṛtya, the divine art form, is a dance performed by the god Shiva, who is revered by Hindus. According toHindu mythology, Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself; theAnanda Tandava depicts him as the enjoyer of his creation - the universe. Shiva as Nataraja (lit. "Lord of dance") is considered the supreme lord of dance.[1]
The Tandava takes its name fromTandu, the attendant of Shiva, who instructed Bharata (author of theNatya Shastra) in the use of Angaharas and Karanas, modes of the Tandava at Shiva's order. Some scholars consider that Tandu himself must have been the author of an earlier work on the dramatic arts, which was incorporated into the Natya Shastra.[2] Indeed, the classical arts of dance, music and song may derive from the mudras and rituals of Shaiva tradition.

Some of the 108 Karanas of Nataraja at Kadavul Hindu Temple, on Kauai, Hawaii. It is one of the few complete collections in existence, commissioned by Satguru Sivaya Subramuniyaswami in the 1980s. Each sculpture is about 12 inches tall.Chidambaram Temple is also known to have a complete set.
The 32 Angaharas and 108 Karanas are discussed by Bharata in the 4th chapter of the Natya Shastra,Tandava Lakshanam.[3] Karana is the combination of hand gestures with feet to form a dance posture. Angahara is composed of seven or more Karanas.[4] 108 karanas included in Tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.
The dance is a pictorial allegory of the five principal manifestations of eternal energy:[5]
  • 'Shrishti' - creation, evolution
  • 'Sthiti' - preservation, support
  • 'Samhara' - destruction, evolution
  • 'Tirobhava' - illusion
  • 'Anugraha' - release, emancipation, grace
Thus Tandava symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death.

Rudra Tandava: A dancer depicting Shiva kicking Yama, the god of Death.
Tandava, as performed in the sacred dance-drama of southern India, has vigorous, brisk movements. Performed with joy, the dance is called Ananda Tandava. Performed in a violent mood, the dance is called Rudra Tandava. In the Hindu texts, at least seven types of Tandava are found: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava and Gauri Tandava.[4] However, some people believe that there are 16 types of Tandava.
"How many various dances of Shiva are known to His worshipers I cannot say. No doubt the root idea behind all of these dances is more or less one and the same, the manifestation of primal rhythmic energy. Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of." - Ananda Coomaraswamy[6]
The dance performed by Goddess Parvati in response to Shiva's Tandava is known as Lasya, in which the movements are gentle, graceful and sometimes erotic. Some scholars consider Lasya to be the feminine version of Tandava. Lasya has 2 kinds, Jarita Lasya and Yauvaka Lasya.[7]
The Hindu scriptures narrate various occasions when Shiva or other gods have performed the Tandava. When Sati (first wife of Lord Shiva, who was reborn as Parvati) jumped into the Agni Kunda (sacrificial fire) in Daksha's Yagna and gave up her life, Shiva is said to have performed the Rudra Tandava to express his grief and anger. The Shivapradosha stotra says when Shiva performs theSandhya Tandava, the other gods like BrahmaVishnuSarasvatiLakshmiand Indra play musical instruments and sing Shiva's praises.[4] Ganesha, the son of Shiva, is depicted as Ashtabhuja tandavsa nritya murtis (Eight armed form of Ganesha dancing the Tandava) in temple sculptures.[8] The Bhagavata Purana talks of Krishna dancing his Tandava on the head of the serpentKaliya.[9] According to Jain traditions, Indra is said to have performed the Tandava in honour of Rishabha (Jain tirthankar) on the latter's birth.[10]
Creation is made possible by the goodness of Viṣhṇu, and when it requires to be destroyed, Lord Śiva does it by the tāṇḍavanṛtya.[1]

[edit]References

  1. ^ "Nataraja", Manas, UCLA
  2. ^ Quarterly Journal of the Andhra Historical Research Society, part III, pp. 25-26, as cited in Manohar Laxman Varadpande, History of Indian Theatre, p. 154. Abhinav Publ. (1987) ISBN 81-7017-221-7]
  3. ^ Ragini Devi, Dance Dialects of India, pp.29-30. Motilal Banarsidass (1990)ISBN 81-208-0674-3
  4. a b c Manohar Laxman Varadpande, History of Indian Theatre, p. 154. Abhinav Publ. (1987) ISBN 81-7017-221-7
  5. ^ Ananda Coomaraswamy, cited at www.mahashivratri.org
  6. ^ Ananda K. Coomaraswamy, "The Dance of Shiva", in The Dance of Shiva: Fourteen Indian Essays, rev. ed. (New York: Noonday Press, (1957) ISBN 81-215-0153-9. Cited, "Nataraja", Manas, UCLA
  7. ^ ttp://www.geocities.com/Tokyo/Shrine/3155/bnatyam.html "Origin of Bharatanatyam", Annapoorna Anand
  8. ^ Manohar Laxman Varadpande, History of Indian Theatre, p. 5. Abhinav Publ. (1992) ISBN 81-7017-221-7
  9. ^ Manohar Laxman Varadpande, History of Indian Theatre, p. 98. Abhinav Publ. (1987) ISBN 81-7017-221-7
  10. ^ Manohar Laxman Varadpande, History of Indian Theatre, p. 146. Abhinav Publ. (1987) ISBN 81-7017-221-7

shiva.jpg

Artwork Identification:


Artist: Unknown
Country: India
Date: 11-12th century
Period: Chola Period
Height: 32 inches
Medium: Bronze
Museum Accession Number: NGA 2008.1
Current Location: National Gallery of Australia
Provenance: National Gallery of Australia Foundation 2008 Purchase

______________________

_A comment of Japanese young man from Ise-Hakusan Dou blog, a comment section_

「666の獣」を自称したクロウリーは性魔術を行っていました。
クロウリーは男性も女性もいける両刀使いだったそうで、同性愛の性魔術を最高位階において行っていたようです。
やはりミロクと悪魔、両性具有というものがセットになっていますね。
  Crowley was bisexual to has both,a man and woman. 
And more, he had having a bisexual magic of the highest place as the level of it. Either Miroku and the Devil, bisexual been setting in one meaning, right?

 *__I as Kukure Waza Kokoro Dou think this : 666 is the human number for TODAY.
It is not a meaning in an ancient, but yet a human being has a power of will to take a evil side of spirituality by own free will. So some can be a beast or evil animal like being.

More over, all spirits has a both side like 6 and 9 be in to one ◯ is my view. Also Kami has both Yin Yang magnetism as we have in us. Such as they are the positive energy and negative one. There are two gender as we all know. 

But third one is the  hermaphrodite as a third gender when we talk about sex. Not spirit or soul and a bad or good.

A man and woman`s body was apart at the super ancient. It caused by separation but by the inner big-bang to create new dramas to experience different things such as what how a man and woman hard to understand each other. 

Maybe understand each other so easy was not so fantastic anymore when that time of the so perfect world.
A being in a perfect harmony and peace possibly got so bored. They might almost fallen sleep forever and they stopped to produce. God and Kami got action to fix it.
How is that Si-Fi? _

クロウリーの『 法の書』とニーチェの『ツァラトゥストラはかく語りき』はよく内容が似ていると言われていますが、ニーチェも同性愛(ゲイ)の傾向があったそうで、またニーチェは薬物中毒でもあったそうですが、クロウリーも麻薬を実験的に使用していて、共通点がありますね.
Now my talking is as a story that Crowley and Nietzsche , both`s  contents of two books are similar. 


Thank for letting all being live







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